Big Band Reading Day

Allans Music + Billy Hyde are present­ing a Big Band Read­ing Day on Sunday 13 Feb­ru­ary, 1.00pm to 4.00pm. This is a great opportin­ity to hear new jazz rep­er­toire, get great advice on rehears­ing your jazz ensemble, and meet up with other dir­ect­ors. A range of music for con­cert band, orches­tra and jazz band will be on dis­play. See the flyer for more information.

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QBOC2010Live—Getting into improvisation

Dan QuigleySponsored by Jazz Worx! Music Institute

One of Brisbane’s most sought-after jazz trum­pet play­ers, Dan Quigley has been play­ing pro­fes­sion­ally for more than ten years after study­ing with John Hoff­man and gradu­at­ing from the Queens­land Con­ser­vat­orium. In this time he has led his own groups and played with some of Australia’s top musi­cians includ­ing James Mor­rison, Dale Bar­low, Grace Knight, Anthony War­low, Tina Arena and more. Dan is a Course Co-ordinater for Jazzworx! Music Insti­tute.

In his present­a­tion, ‘Get­ting into jazz impro­visa­tion’, Dan sim­pli­fied the massive sub­ject that is impro­visa­tion and provided del­eg­ates with exer­cises and advice on where to start and how to begin teach­ing impro­visa­tion to stu­dents. Dan’s know­ledge and exper­i­ence were evid­ent, and he suc­cess­fully broke down the sub­ject mat­ter and in only an hour gave the audi­ence the basic skills to tackle impro­vising, some for the very first time.

Down­load Dan’s handout from this session.

QBOC2010Live—Concert 3: Brisbane Contemporary Jazz Orchestra

Brisbane Contemporary Jazz Orchestra

Bris­bane Con­tem­por­ary Jazz Orches­tra fea­tures sev­eral of Brisbane’s most well-respected musi­cians and per­forms a wide range of mod­ern big band music includ­ing latin, funk, swing and gos­pel. The band is a show­case for estab­lished and emer­ging local musi­cians and there is a wealth of exper­i­ence and tal­ent in the play­ing ranks. The rep­er­toire focuses on jazz music from the last twenty years, with charts from com­posers such as Jaco Pas­torius, Michel Cam­ilo and Gor­don Goodwin.

Today’s con­cert by the BCJO featured:

Black­bird (Len­non & McCart­ney arr. Arturo San­doval)
Caribe (Michel Cam­ilo)
Love for Sale (as played by the Buddy Rich Orches­tra)
Round Mid­night (as played by Maynard Fer­guson)
(I’m Get­ting) Sen­ti­mental Over You (as played by Maynard Fer­guson)
Super­bone Meets the Bad­man (as played by Maynard Fer­guson)
Hunt­ing Wab­bits (Gor­don Good­win)
Samba Del Gringo (Gor­don Good­win)
Alma Llanera (Paquito D’Rivera)

Trum­pets: Dale Richard­son, Shane Pur­nell, Nathan Schilling, Richard Settle, Grant­ley Sutch
Trom­bones: Rob Anders, Fran­cis Car­roll, Noel Steph­en­son, Sam Nolan
Sax­o­phones: David Humphreys, Scott Grif­fiths, Dar­ren McPh­er­son, Leon Wens­ley, John Ste­fulj
Rhythm Sec­tion: Louise Den­son (piano), Paul Hende­r­son (gui­tar), Lyle Den­man (drums), Andre Bonetti (percussion)

A great con­cert. If only our high school jazz ensembles were this good!

Big band reading session wrap-up

Septem­ber 13: Queens­land Youth Orches­tra Big Band Con­cert and ABODAQ Big Band Read­ing Ses­sion. This per­form­ance and read­ing ses­sion gave attendees the oppor­tun­ity to listen one of Queensland’s premier youth Jazz Ensembles per­form and then par­ti­cip­ate in a rep­er­toire ses­sion con­sidered rel­ev­ant to today’s level 2 through 4 jazz ensembles. As part of the event we induc­ted six new stu­dent mem­bers of QYOBB who were music edu­ca­tion can­did­ates either study­ing at the Queens­land Con­ser­vat­ory or Grif­fith Uni­ver­sity. The after­noon was led by David Coit, music dir­ector of QYOBB and an ABODAQ man­age­ment com­mit­tee member.

The rep­er­toire was sponsored by Music Express and included:

Level 2
Blue Monk — Thel­o­nionius Monk arr. Berry
This is a flex­ible arrange­ment of this jazz stand­ard for ensembles that might not have a full com­pli­ment.
Pub­lished by Hal Leonard

Blues In Hoss Flat — Basie and Foster arr. Taylor
A great ver­sion of this shuffle tune for young bands–simple repet­it­ive rhythms with some good solo sec­tions.
Pub­lished by Hal Leonard

Basin Street Blues — Spen­cer Wil­li­ams arr. Sweeney
For every­one that knows this tune, this is a great, simple arrange­ment with great oppor­tun­ity for solo­ing in a simple key.
Pub­lished by Hal Leonard

Level 3
Free For All — Len­nie Niehaus
I like Niehaus stuff as he writes swing music that really accen­tu­ates the cor­rect rhythmic phras­ing for swing pat­terns. Well writ­ten with great artic­u­la­tion mark­ings — these pieces are always a pleas­ure to play and straight ahead for an audi­ence to listen to.
Pub­lished by Kendor

Spain — Corea arr. Jen­nings
A stand­ard in terms of big band genre and good chance for musi­cians to exper­i­ence tight, latin-type grooves.
Pub­lished by Hal Leonard

Jumpin East of Java — Set­zer arr. Holmes
Made fam­ous by the Brian Set­zer orches­tra, this is an upbeat tune that fea­tures a vocal­ist and great solos sec­tions. It’s a great arrange­ment of this tune and really swings along!
Pub­lished by Hal Leonard

Level 4
Theme From Fam­ily Guy — Mac­Far­lane and Zuck­er­man
While I’m not one for arrange­ments of TV themes this one really swings and has a great energy to it. Hard enough to be a chal­lenge but straight ahead enough for audi­ences — it’s a great tune for con­certs.
Pub­lished by Hal Leonard

Drivin — Adrien Re
This is a strong shuffle feel and really chal­lenges dif­fer­ent sec­tions of the band at dif­fer­ent times –repet­it­ive grooves in the rhythm sec­tion means that the sec­tion can really lock in and find the groove.
Pub­lished by Alfred

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