Review: Con Wind Orchestra

Around the World in 80 minutes? Not pos­sible you say! Well on May 20 I had the pleas­ure in hear­ing this seem­ingly impossible feat.
It was driven by one of Australia’s most out­stand­ing con­duct­ors, edu­cat­ors and com­posers, Ralph Hult­gren, who mas­terly con­trolled the Con­ser­vat­orium Wind Orches­tra, an exuber­ant, young, and gif­ted group of musi­cians. The rep­er­toire had the audi­ence trav­el­ling through Rus­sia, China, Aus­tralasia, Amer­ica and Ireland.

The pro­gram­ming reminded of a ses­sion given by Dr Peter Mor­ris at QBOC last year, where he gave numer­ous sug­ges­tions on how to pro­gram an inter­est­ing con­cert. My school band can­not do what the Con­ser­vat­orium Wind Orches­tra can, but I did see the pos­sib­il­it­ies for future school con­cert programs.

The play­ing was ebul­li­ent, and clearly demon­strated the tal­ent of Brisbane’s young musi­cians. Speak­ing of tal­ent, the soloist, Emma DiMarco, demon­strated a mas­terly per­form­ance of the Fantasia for Alto Sax­o­phone by Claude T. Smith, and showed how beau­ti­ful the clas­sical sax­o­phone can be.

It was a great con­cert, but a pity that it wasn’t pat­ron­ized by more of Brisbane’s music teach­ers and con­duct­ors. They missed an enjoy­able night.

QBOC2010Live–Concert 5: band and strings

Can­ter­bury Col­lege Ritor­nello
Can­ter­bury Col­lege is a co-educational Anglican School of 1400 stu­dents from PrePrep through Year 12. The col­lege sup­ports a music pro­gram of 400 stu­dents involved in seven choirs, four string orches­tras, a sym­phony orches­tra, two stage bands, three con­cert bands and numer­ous cham­ber ensembles. The Can­ter­bury Col­lege Ritor­nello is focused on devel­op­ing the tal­ents of the most advanced string stu­dents and is led by Mrs Belinda Wil­li­ams, a former mem­ber of the Aus­tralian Cham­ber Orchestra.

Hill­brook Wind Sym­phony
Hill­brook is a co-educational Anglican sec­ond­ary school of approx­im­ately 600 stu­dents. It was foun­ded in 1987 by a group of teach­ers look­ing for a dif­fer­ent approach to tra­di­tional school­ing sys­tems. Hill­brook Music is an ener­getic and dynamic pro­gram with a strong con­nec­ted­ness between aca­demic and co-curricular stud­ies. The Wind Sym­phony is Hillbrook’s senior con­cert band. It is made up of stu­dents from years 8 to 12. In recent years this ensemble has had the oppor­tun­ity to work with guests includ­ing, Ralph Hult­gren, Dr Mat­thew George, John Reyn­olds and Frank Ticheli. The Wind Sym­phony has also shared the stage with some of Australia’s finest bands includ­ing Queens­land Wind Orches­tra, Queens­land Con­ser­vat­orium Wind Orches­tra, Queens­land Youth Orches­tra ensembles and tour­ing ensembles.

The Can­ter­bury Col­lege Ritor­nello opened the con­cert with the Hol­berg Suite, Op. 40 (“Suite in olden style”) by Edvard Grieg (Kalmus). Hill­brook Wind Sym­phony fol­lowed with:

Wash­ing­ton Post March, John Philip Sousa arr. Jay Bocook (Music Works)
Klezmer Dances, Stephen Bulla (Curnow Music)
Fate of the Gods, Steven Reineke (Barnhouse)

The stu­dents’ per­form­ances were a credit to their schools and their dir­ect­ors (Belinda Wil­li­ams and David Jones) and the con­cert was well-received and appre­ci­ated by the del­eg­ates, par­ents and friends.

QBOC2010Live—Concert 3: Brisbane Contemporary Jazz Orchestra

Brisbane Contemporary Jazz Orchestra

Bris­bane Con­tem­por­ary Jazz Orches­tra fea­tures sev­eral of Brisbane’s most well-respected musi­cians and per­forms a wide range of mod­ern big band music includ­ing latin, funk, swing and gos­pel. The band is a show­case for estab­lished and emer­ging local musi­cians and there is a wealth of exper­i­ence and tal­ent in the play­ing ranks. The rep­er­toire focuses on jazz music from the last twenty years, with charts from com­posers such as Jaco Pas­torius, Michel Cam­ilo and Gor­don Goodwin.

Today’s con­cert by the BCJO featured:

Black­bird (Len­non & McCart­ney arr. Arturo San­doval)
Caribe (Michel Cam­ilo)
Love for Sale (as played by the Buddy Rich Orches­tra)
Round Mid­night (as played by Maynard Fer­guson)
(I’m Get­ting) Sen­ti­mental Over You (as played by Maynard Fer­guson)
Super­bone Meets the Bad­man (as played by Maynard Fer­guson)
Hunt­ing Wab­bits (Gor­don Good­win)
Samba Del Gringo (Gor­don Good­win)
Alma Llanera (Paquito D’Rivera)

Trum­pets: Dale Richard­son, Shane Pur­nell, Nathan Schilling, Richard Settle, Grant­ley Sutch
Trom­bones: Rob Anders, Fran­cis Car­roll, Noel Steph­en­son, Sam Nolan
Sax­o­phones: David Humphreys, Scott Grif­fiths, Dar­ren McPh­er­son, Leon Wens­ley, John Ste­fulj
Rhythm Sec­tion: Louise Den­son (piano), Paul Hende­r­son (gui­tar), Lyle Den­man (drums), Andre Bonetti (percussion)

A great con­cert. If only our high school jazz ensembles were this good!

QBOC2010Live—Concert 2: Australian Army Band Brisbane

Australian Army Band BrisbaneCap­tain Lind­say Mee, Conductor

Since its form­a­tion in 1949, the Aus­tralian Army Band-Brisbane (AAB-B) has become known through­out Queens­land as one of the finest Mil­it­ary Bands in Aus­tralia. The Band provides music for Regal, Vice-Regal, State and Cere­mo­nial occa­sions in addi­tion to per­form­ing at fest­ivals, giv­ing con­certs and present­ing pre­ci­sion march­ing dis­plays as well as ful­filling its mil­it­ary role as an Aus­tralian Army Band.

The pro­gram:

Com­mando March (Samuel Barber)
Fest­ive Over­ture (Shostakovich/Hunsberger)
Canticles (Johan de Meij)
Sym­phonic Dances from ‘Fid­dler on the Roof’ (arr. Hearshen)
I Dreamed a Dream (arr. King)
Bet­ter With a Band (arr. King)
Do You Know What It Means To Miss New Orleans (arr. Wilson)
Land of Make Believe (arr. Taylor)
The Boy Does Noth­ing (Dick­son)
Hoe Down from ‘Rodeo’ (Cop­land)
Night­fall in Camp (Pope)

Fea­tur­ing con­cert band and jazz ensemble rep­er­toire, this con­cert was a ter­rific way to end the first day of QBOC2010. The AAB-B play with tech­nical pre­ci­sion and music­al­ity and are a much under­val­ued part of Brisbane’s musical life.

QBOC2010Live—Concert 1: QCGU Brass Band

QCGU Brass BandThe Con­ser­vat­orium Brass Band is a unique ter­tiary ensemble. Formed in 2006, this ensemble is based on the tra­di­tional Brit­ish Brass Band format. The QCGU Brass Band involves stu­dents from the Bach­elor of Music and Bach­elor of Music Stud­ies degree pro­grams and enables mem­bers to fur­ther develop their brass band train­ing in many areas includ­ing per­form­ance, know­ledge of rep­er­toire and ensemble direction.

After a morn­ing of con­duct­ing tech­nique ses­sions, del­eg­ates enjoyed the chance to relax and watch the QCGU Brass Band per­form, under the dir­ec­tion of Head of Brass, Greg Aitken.

The rep­er­toire for the con­cert was:

The Red Machine (Peter Gra­ham)
Song and Dance (Philip Sparke)
Beneath the Wil­lows (Philip Harper)
Con­certo for French Horn and Brass Band, 1st movt (Edward Greg­son)
Slaid­burn (Wil­liam Rim­mer)
The King­dom Tri­umphant (Eric Ball)

The Brass Band played a pol­ished and musical per­form­ance and con­grat­u­la­tions must go to soloists Dani­elle Rich (cor­net), Shan­nan Lawrence (flu­gel horn) and Sharn McIver (horn). The per­form­ance was not fault­less, but when listen­ing to a high qual­ity ensemble such as this it must be remembered that these are not pro­fes­sional musi­cians: they are stu­dents and they are learn­ing how to per­form in dif­fer­ent envir­on­ments. Greg Aitken has done an excel­lent job in train­ing his musi­cians: they are exposed to new and stand­ard brass band rep­er­toire, they are exposed to the exper­i­ence of being soloists with an ensemble (there were three stu­dent soloists on this pro­gram) and, in Ben Crocker’s case, to the exper­i­ence of conducting.

While listen­ing to this con­cert I couldn’t help but won­der why wind band con­duct­ors do not insist on their trum­peters play­ing cor­net when it is called for by the score (espe­cially when the score calls for a com­bin­a­tion of trum­pets and cornets–five trum­pets do not sound like three cor­nets and two trum­pets!) Alto sax­o­phon­ists have to double on sop­rano, flut­ists double on piccolo–why is there not more emphasis put on trum­pet play­ers to double on cor­net when required?

The intro­duc­tion of the Brass Band to the QCGU, led by Greg Aitken, will hope­fully help to cre­ate brass play­ers who are musi­cians with exper­i­ence of many styles of music, not just orches­tral stand­ards that many will not get the oppor­tun­ity to play again in later life.

Bravo to the QCGU Brass Band and Head of Brass, Greg Aitken!

Conservatorium Wind Orchestra concert

QCM, GUCon­ser­vat­orium Wind Orches­tra
No Strings Attached
Fri­day 14 May
Con­ser­vat­orium Theatre, 8.00 pm
ADMISSION: Adults $26.50/Concessions & Groups $16.50/Schools $11.50. Book­ings: qtix on 136 246 or www.qtix.com.au.

Over­ture, Con­certo, Sym­phony — the musical forms of the clas­sical sym­phony orches­tra explode into life as the Con­ser­vat­orium Wind Orches­tra presents works from the clas­sical period to the present day with — No Strings Attached.

Over­ture
Mar­riage of Figaro (Moz­art arr. Duthiot)

Suite
Second Suite for Mil­it­ary Band in F major, op. 28, no. 2 (Gustav Holst)

Con­certo
Con­certino for Trom­bone and Wind Orches­tra (Ralph Hultgren)

INTERVAL

March
Mil­it­ary March in D (Lud­wig van Beeth­oven ed. John R. Bourgeois)

Fantasia
Fantasia on Black is the Color of My True Love’s Hair (Mark Camphouse)

Sym­phony
Sym­phony for Band: Sym­phony no. 6  (Vin­cent Persichetti)